Informal standard M. Nilsson
Document: id3v2.3.0.txt 3rd February 1999
ID3 tag version 2.3.0
Status of this document
This document is an informal standard and replaces the ID3v2.2.0
standard [ID3v2]. The informal standard is released so that
implementors could have a set standard before a formal standard is
set. The formal standard will use another version or revision number
if not identical to what is described in this document. The contents
in this document may change for clarifications but never for added or
altered functionallity.
Distribution of this document is unlimited.
Abstract
This document describes the ID3v2.3.0, which is a more developed
version of the ID3v2 informal standard [ID3v2] (version 2.2.0),
evolved from the ID3 tagging system. The ID3v2 offers a flexible way
of storing information about an audio file within itself to determine
its origin and contents. The information may be technical
information, such as equalisation curves, as well as related meta
information, such as title, performer, copyright etc.
1. Table of contents
2. Conventions in this document
3. ID3v2 overview
3.1. ID3v2 header
3.2. ID3v2 extended header
3.3. ID3v2 frames overview
3.3.1. Frame header flags
3.3.2. Default flags
4. Declared ID3v2 frames
4.1. Unique file identifier
4.2. Text information frames
4.2.1. Text information frames - details
4.2.2. User defined text information frame
4.3. URL link frames
4.3.1. URL link frames - details
4.3.2. User defined URL link frame
4.4. Involved people list
4.5. Music CD Identifier
4.6. Event timing codes
4.7. MPEG location lookup table
4.8. Synced tempo codes
4.9. Unsychronised lyrics/text transcription
4.10. Synchronised lyrics/text
4.11. Comments
4.12. Relative volume adjustment
4.13. Equalisation
4.14. Reverb
4.15. Attached picture
4.16. General encapsulated object
4.17. Play counter
4.18. Popularimeter
4.19. Recommended buffer size
4.20. Audio encryption
4.21. Linked information
4.22. Position synchronisation frame
4.23. Terms of use
4.24. Ownership frame
4.25. Commercial frame
4.26. Encryption method registration
4.27. Group identification registration
4.28. Private frame
5. The 'unsynchronisation scheme'
6. Copyright
7. References
8. Appendix
A. Appendix A - Genre List from ID3v1
9. Author's Address
2. Conventions in this document
In the examples, text within "" is a text string exactly as it
appears in a file. Numbers preceded with $ are hexadecimal and
numbers preceded with % are binary. $xx is used to indicate a byte
with unknown content. %x is used to indicate a bit with unknown
content. The most significant bit (MSB) of a byte is called 'bit 7'
and the least significant bit (LSB) is called 'bit 0'.
A tag is the whole tag described in this document. A frame is a block
of information in the tag. The tag consists of a header, frames and
optional padding. A field is a piece of information; one value, a
string etc. A numeric string is a string that consists of the
characters 0-9 only.
3. ID3v2 overview
The two biggest design goals were to be able to implement ID3v2
without disturbing old software too much and that ID3v2 should be
as flexible and expandable as possible.
The first criterion is met by the simple fact that the MPEG [MPEG]
decoding software uses a syncsignal, embedded in the audiostream, to
'lock on to' the audio. Since the ID3v2 tag doesn't contain a valid
syncsignal, no software will attempt to play the tag. If, for any
reason, coincidence make a syncsignal appear within the tag it will
be taken care of by the 'unsynchronisation scheme' described in
section 5.
The second criterion has made a more noticeable impact on the design
of the ID3v2 tag. It is constructed as a container for several
information blocks, called frames, whose format need not be known to
the software that encounters them. At the start of every frame there
is an identifier that explains the frames' format and content, and a
size descriptor that allows software to skip unknown frames.
If a total revision of the ID3v2 tag should be needed, there is a
version number and a size descriptor in the ID3v2 header.
The ID3 tag described in this document is mainly targeted at files
encoded with MPEG-1/2 layer I, MPEG-1/2 layer II, MPEG-1/2 layer III
and MPEG-2.5, but may work with other types of encoded audio.
The bitorder in ID3v2 is most significant bit first (MSB). The
byteorder in multibyte numbers is most significant byte first (e.g.
$12345678 would be encoded $12 34 56 78).
It is permitted to include padding after all the final frame (at the
end of the ID3 tag), making the size of all the frames together
smaller than the size given in the head of the tag. A possible
purpose of this padding is to allow for adding a few additional
frames or enlarge existing frames within the tag without having to
rewrite the entire file. The value of the padding bytes must be $00.
3.1. ID3v2 header
The ID3v2 tag header, which should be the first information in the
file, is 10 bytes as follows:
ID3v2/file identifier "ID3"
ID3v2 version $03 00
ID3v2 flags %abc00000
ID3v2 size 4 * %0xxxxxxx
The first three bytes of the tag are always "ID3" to indicate that
this is an ID3v2 tag, directly followed by the two version bytes. The
first byte of ID3v2 version is it's major version, while the second
byte is its revision number. In this case this is ID3v2.3.0. All
revisions are backwards compatible while major versions are not. If
software with ID3v2.2.0 and below support should encounter version
three or higher it should simply ignore the whole tag. Version and
revision will never be $FF.
The version is followed by one the ID3v2 flags field, of which
currently only three flags are used.
a - Unsynchronisation
Bit 7 in the 'ID3v2 flags' indicates whether or not
unsynchronisation is used (see section 5 for details); a set bit
indicates usage.
b - Extended header
The second bit (bit 6) indicates whether or not the header is
followed by an extended header. The extended header is described in
section 3.2.
c - Experimental indicator
The third bit (bit 5) should be used as an 'experimental
indicator'. This flag should always be set when the tag is in an
experimental stage.
All the other flags should be cleared. If one of these undefined
flags are set that might mean that the tag is not readable for a
parser that does not know the flags function.
The ID3v2 tag size is encoded with four bytes where the most
significant bit (bit 7) is set to zero in every byte, making a total
of 28 bits. The zeroed bits are ignored, so a 257 bytes long tag is
represented as $00 00 02 01.
The ID3v2 tag size is the size of the complete tag after
unsychronisation, including padding, excluding the header but not
excluding the extended header (total tag size - 10). Only 28 bits
(representing up to 256MB) are used in the size description to avoid
the introducuction of 'false syncsignals'.
An ID3v2 tag can be detected with the following pattern:
$49 44 33 yy yy xx zz zz zz zz
Where yy is less than $FF, xx is the 'flags' byte and zz is less than
$80.
3.2. ID3v2 extended header
The extended header contains information that is not vital to the
correct parsing of the tag information, hence the extended header is
optional.
Extended header size $xx xx xx xx
Extended Flags $xx xx
Size of padding $xx xx xx xx
Where the 'Extended header size', currently 6 or 10 bytes, excludes
itself. The 'Size of padding' is simply the total tag size excluding
the frames and the headers, in other words the padding. The extended
header is considered separate from the header proper, and as such is
subject to unsynchronisation.
The extended flags are a secondary flag set which describes further
attributes of the tag. These attributes are currently defined as
follows
%x0000000 00000000
x - CRC data present
If this flag is set four bytes of CRC-32 data is appended to the
extended header. The CRC should be calculated before
unsynchronisation on the data between the extended header and the
padding, i.e. the frames and only the frames.
Total frame CRC $xx xx xx xx
3.3. ID3v2 frame overview
As the tag consists of a tag header and a tag body with one or more
frames, all the frames consists of a frame header followed by one or
more fields containing the actual information. The layout of the
frame header:
Frame ID $xx xx xx xx (four characters)
Size $xx xx xx xx
Flags $xx xx
The frame ID made out of the characters capital A-Z and 0-9.
Identifiers beginning with "X", "Y" and "Z" are for experimental use
and free for everyone to use, without the need to set the
experimental bit in the tag header. Have in mind that someone else
might have used the same identifier as you. All other identifiers are
either used or reserved for future use.
The frame ID is followed by a size descriptor, making a total header
size of ten bytes in every frame. The size is calculated as frame
size excluding frame header (frame size - 10).
In the frame header the size descriptor is followed by two flags
bytes. These flags are described in section 3.3.1.
There is no fixed order of the frames' appearance in the tag,
although it is desired that the frames are arranged in order of
significance concerning the recognition of the file. An example of
such order: UFID, TIT2, MCDI, TRCK ...
A tag must contain at least one frame. A frame must be at least 1
byte big, excluding the header.
If nothing else is said a string is represented as ISO-8859-1
[ISO-8859-1] characters in the range $20 - $FF. Such strings are
represented as , or if newlines are
allowed, in the frame descriptions. All Unicode strings [UNICODE] use
16-bit unicode 2.0 (ISO/IEC 10646-1:1993, UCS-2). Unicode strings
must begin with the Unicode BOM ($FF FE or $FE FF) to identify the
byte order.
All numeric strings and URLs [URL] are always encoded as ISO-8859-1.
Terminated strings are terminated with $00 if encoded with ISO-8859-1
and $00 00 if encoded as unicode. If nothing else is said newline
character is forbidden. In ISO-8859-1 a new line is represented, when
allowed, with $0A only. Frames that allow different types of text
encoding have a text encoding description byte directly after the
frame size. If ISO-8859-1 is used this byte should be $00, if Unicode
is used it should be $01. Strings dependent on encoding is
represented as , or if newlines are allowed. Any empty
Unicode strings which are NULL-terminated may have the Unicode BOM
followed by a Unicode NULL ($FF FE 00 00 or $FE FF 00 00).
The three byte language field is used to describe the language of the
frame's content, according to ISO-639-2 [ISO-639-2].
All URLs [URL] may be relative, e.g. "picture.png", "../doc.txt".
If a frame is longer than it should be, e.g. having more fields than
specified in this document, that indicates that additions to the
frame have been made in a later version of the ID3v2 standard. This
is reflected by the revision number in the header of the tag.
3.3.1. Frame header flags
In the frame header the size descriptor is followed by two flags
bytes. All unused flags must be cleared. The first byte is for
'status messages' and the second byte is for encoding purposes. If an
unknown flag is set in the first byte the frame may not be changed
without the bit cleared. If an unknown flag is set in the second byte
it is likely to not be readable. The flags field is defined as
follows.
%abc00000 %ijk00000
a - Tag alter preservation
This flag tells the software what to do with this frame if it is
unknown and the tag is altered in any way. This applies to all
kinds of alterations, including adding more padding and reordering
the frames.
0 Frame should be preserved.
1 Frame should be discarded.
b - File alter preservation
This flag tells the software what to do with this frame if it is
unknown and the file, excluding the tag, is altered. This does not
apply when the audio is completely replaced with other audio data.
0 Frame should be preserved.
1 Frame should be discarded.
c - Read only
This flag, if set, tells the software that the contents of this
frame is intended to be read only. Changing the contents might
break something, e.g. a signature. If the contents are changed,
without knowledge in why the frame was flagged read only and
without taking the proper means to compensate, e.g. recalculating
the signature, the bit should be cleared.
i - Compression
This flag indicates whether or not the frame is compressed.
0 Frame is not compressed.
1 Frame is compressed using zlib [zlib] with 4 bytes for
'decompressed size' appended to the frame header.
j - Encryption
This flag indicates wether or not the frame is enrypted. If set
one byte indicating with which method it was encrypted will be
appended to the frame header. See section 4.26. for more
information about encryption method registration.
0 Frame is not encrypted.
1 Frame is encrypted.
k - Grouping identity
This flag indicates whether or not this frame belongs in a group
with other frames. If set a group identifier byte is added to the
frame header. Every frame with the same group identifier belongs
to the same group.
0 Frame does not contain group information
1 Frame contains group information
Some flags indicates that the frame header is extended with
additional information. This information will be added to the frame
header in the same order as the flags indicating the additions. I.e.
the four bytes of decompressed size will preceed the encryption
method byte. These additions to the frame header, while not included
in the frame header size but are included in the 'frame size' field,
are not subject to encryption or compression.
3.3.2. Default flags
The default settings for the frames described in this document can be
divided into the following classes. The flags may be set differently
if found more suitable by the software.
1. Discarded if tag is altered, discarded if file is altered.
None.
2. Discarded if tag is altered, preserved if file is altered.
None.
3. Preserved if tag is altered, discarded if file is altered.
AENC, ETCO, EQUA, MLLT, POSS, SYLT, SYTC, RVAD, TENC, TLEN, TSIZ
4. Preserved if tag is altered, preserved if file is altered.
The rest of the frames.
4. Declared ID3v2 frames
The following frames are declared in this draft.
4.21 AENC Audio encryption
4.15 APIC Attached picture
4.11 COMM Comments
4.25 COMR Commercial frame
4.26 ENCR Encryption method registration
4.13 EQUA Equalization
4.6 ETCO Event timing codes
4.16 GEOB General encapsulated object
4.27 GRID Group identification registration
4.4 IPLS Involved people list
4.21 LINK Linked information
4.5 MCDI Music CD identifier
4.7 MLLT MPEG location lookup table
4.24 OWNE Ownership frame
4.28. PRIV Private frame
4.17 PCNT Play counter
4.18 POPM Popularimeter
4.22 POSS Position synchronisation frame
4.19 RBUF Recommended buffer size
4.12 RVAD Relative volume adjustment
4.14 RVRB Reverb
4.10 SYLT Synchronized lyric/text
4.8 SYTC Synchronized tempo codes
4.2.1 TALB Album/Movie/Show title
4.2.1 TBPM BPM (beats per minute)
4.2.1 TCOM Composer
4.2.1 TCON Content type
4.2.1 TCOP Copyright message
4.2.1 TDAT Date
4.2.1 TDLY Playlist delay
4.2.1 TENC Encoded by
4.2.1 TEXT Lyricist/Text writer
4.2.1 TFLT File type
4.2.1 TIME Time
4.2.1 TIT1 Content group description
4.2.1 TIT2 Title/songname/content description
4.2.1 TIT3 Subtitle/Description refinement
4.2.1 TKEY Initial key
4.2.1 TLAN Language(s)
4.2.1 TLEN Length
4.2.1 TMED Media type
4.2.1 TOAL Original album/movie/show title
4.2.1 TOFN Original filename
4.2.1 TOLY Original lyricist(s)/text writer(s)
4.2.1 TOPE Original artist(s)/performer(s)
4.2.1 TORY Original release year
4.2.1 TOWN File owner/licensee
4.2.1 TPE1 Lead performer(s)/Soloist(s)
4.2.1 TPE2 Band/orchestra/accompaniment
4.2.1 TPE3 Conductor/performer refinement
4.2.1 TPE4 Interpreted, remixed, or otherwise modified by
4.2.1 TPOS Part of a set
4.2.1 TPUB Publisher
4.2.1 TRCK Track number/Position in set
4.2.1 TRDA Recording dates
4.2.1 TRSN Internet radio station name
4.2.1 TRSO Internet radio station owner
4.2.1 TSIZ Size
4.2.1 TSRC ISRC (international standard recording code)
4.2.1 TSSE Software/Hardware and settings used for encoding
4.2.1 TYER Year
4.2.2 TXXX User defined text information frame
4.1 UFID Unique file identifier
4.23 USER Terms of use
4.9 USLT Unsychronized lyric/text transcription
4.3.1 WCOM Commercial information
4.3.1 WCOP Copyright/Legal information
4.3.1 WOAF Official audio file webpage
4.3.1 WOAR Official artist/performer webpage
4.3.1 WOAS Official audio source webpage
4.3.1 WORS Official internet radio station homepage
4.3.1 WPAY Payment
4.3.1 WPUB Publishers official webpage
4.3.2 WXXX User defined URL link frame
4.1. Unique file identifier
This frame's purpose is to be able to identify the audio file in a
database that may contain more information relevant to the content.
Since standardisation of such a database is beyond this document, all
frames begin with a null-terminated string with a URL [URL]
containing an email address, or a link to a location where an email
address can be found, that belongs to the organisation responsible
for this specific database implementation. Questions regarding the
database should be sent to the indicated email address. The URL
should not be used for the actual database queries. The string
"http://www.id3.org/dummy/ufid.html" should be used for tests.
Software that isn't told otherwise may safely remove such frames. The
'Owner identifier' must be non-empty (more than just a termination).
The 'Owner identifier' is then followed by the actual identifier,
which may be up to 64 bytes. There may be more than one "UFID" frame
in a tag, but only one with the same 'Owner identifier'.
Owner identifier $00
Identifier
4.2. Text information frames
The text information frames are the most important frames, containing
information like artist, album and more. There may only be one text
information frame of its kind in an tag. If the textstring is
followed by a termination ($00 (00)) all the following information
should be ignored and not be displayed. All text frame identifiers
begin with "T". Only text frame identifiers begin with "T", with the
exception of the "TXXX" frame. All the text information frames have
the following format:
Text encoding $xx
Information
4.2.1. Text information frames - details
TALB
The 'Album/Movie/Show title' frame is intended for the title of the
recording(/source of sound) which the audio in the file is taken
from.
TBPM
The 'BPM' frame contains the number of beats per minute in the
mainpart of the audio. The BPM is an integer and represented as a
numerical string.
TCOM
The 'Composer(s)' frame is intended for the name of the composer(s).
They are seperated with the "/" character.
TCON
The 'Content type', which previously was stored as a one byte numeric
value only, is now a numeric string. You may use one or several of
the types as ID3v1.1 did or, since the category list would be
impossible to maintain with accurate and up to date categories,
define your own.
References to the ID3v1 genres can be made by, as first byte, enter
"(" followed by a number from the genres list (appendix A.) and
ended with a ")" character. This is optionally followed by a
refinement, e.g. "(21)" or "(4)Eurodisco". Several references can be
made in the same frame, e.g. "(51)(39)". If the refinement should
begin with a "(" character it should be replaced with "((", e.g. "((I
can figure out any genre)" or "(55)((I think...)". The following new
content types is defined in ID3v2 and is implemented in the same way
as the numerig content types, e.g. "(RX)".
RX Remix
CR Cover
TCOP
The 'Copyright message' frame, which must begin with a year and a
space character (making five characters), is intended for the
copyright holder of the original sound, not the audio file itself.
The absence of this frame means only that the copyright information
is unavailable or has been removed, and must not be interpreted to
mean that the sound is public domain. Every time this field is
displayed the field must be preceded with "Copyright " (C) " ", where
(C) is one character showing a C in a circle.
TDAT
The 'Date' frame is a numeric string in the DDMM format containing
the date for the recording. This field is always four characters
long.
TDLY
The 'Playlist delay' defines the numbers of milliseconds of silence
between every song in a playlist. The player should use the "ETC"
frame, if present, to skip initial silence and silence at the end of
the audio to match the 'Playlist delay' time. The time is represented
as a numeric string.
TENC
The 'Encoded by' frame contains the name of the person or
organisation that encoded the audio file. This field may contain a
copyright message, if the audio file also is copyrighted by the
encoder.
TEXT
The 'Lyricist(s)/Text writer(s)' frame is intended for the writer(s)
of the text or lyrics in the recording. They are seperated with the
"/" character.
TFLT
The 'File type' frame indicates which type of audio this tag defines.
The following type and refinements are defined:
MPG MPEG Audio
/1 MPEG 1/2 layer I
/2 MPEG 1/2 layer II
/3 MPEG 1/2 layer III
/2.5 MPEG 2.5
/AAC Advanced audio compression
VQF Transform-domain Weighted Interleave Vector Quantization
PCM Pulse Code Modulated audio
but other types may be used, not for these types though. This is used
in a similar way to the predefined types in the "TMED" frame, but
without parentheses. If this frame is not present audio type is
assumed to be "MPG".
TIME
The 'Time' frame is a numeric string in the HHMM format containing
the time for the recording. This field is always four characters
long.
TIT1
The 'Content group description' frame is used if the sound belongs to
a larger category of sounds/music. For example, classical music is
often sorted in different musical sections (e.g. "Piano Concerto",
"Weather - Hurricane").
TIT2
The 'Title/Songname/Content description' frame is the actual name of
the piece (e.g. "Adagio", "Hurricane Donna").
TIT3
The 'Subtitle/Description refinement' frame is used for information
directly related to the contents title (e.g. "Op. 16" or "Performed
live at Wembley").
TKEY
The 'Initial key' frame contains the musical key in which the sound
starts. It is represented as a string with a maximum length of three
characters. The ground keys are represented with "A","B","C","D","E",
"F" and "G" and halfkeys represented with "b" and "#". Minor is
represented as "m". Example "Cbm". Off key is represented with an "o"
only.
TLAN
The 'Language(s)' frame should contain the languages of the text or
lyrics spoken or sung in the audio. The language is represented with
three characters according to ISO-639-2. If more than one language is
used in the text their language codes should follow according to
their usage.
TLEN
The 'Length' frame contains the length of the audiofile in
milliseconds, represented as a numeric string.
TMED
The 'Media type' frame describes from which media the sound
originated. This may be a text string or a reference to the
predefined media types found in the list below. References are made
within "(" and ")" and are optionally followed by a text refinement,
e.g. "(MC) with four channels". If a text refinement should begin
with a "(" character it should be replaced with "((" in the same way
as in the "TCO" frame. Predefined refinements is appended after the
media type, e.g. "(CD/A)" or "(VID/PAL/VHS)".
DIG Other digital media
/A Analog transfer from media
ANA Other analog media
/WAC Wax cylinder
/8CA 8-track tape cassette
CD CD
/A Analog transfer from media
/DD DDD
/AD ADD
/AA AAD
LD Laserdisc
/A Analog transfer from media
TT Turntable records
/33 33.33 rpm
/45 45 rpm
/71 71.29 rpm
/76 76.59 rpm
/78 78.26 rpm
/80 80 rpm
MD MiniDisc
/A Analog transfer from media
DAT DAT
/A Analog transfer from media
/1 standard, 48 kHz/16 bits, linear
/2 mode 2, 32 kHz/16 bits, linear
/3 mode 3, 32 kHz/12 bits, nonlinear, low speed
/4 mode 4, 32 kHz/12 bits, 4 channels
/5 mode 5, 44.1 kHz/16 bits, linear
/6 mode 6, 44.1 kHz/16 bits, 'wide track' play
DCC DCC
/A Analog transfer from media
DVD DVD
/A Analog transfer from media
TV Television
/PAL PAL
/NTSC NTSC
/SECAM SECAM
VID Video
/PAL PAL
/NTSC NTSC
/SECAM SECAM
/VHS VHS
/SVHS S-VHS
/BETA BETAMAX
RAD Radio
/FM FM
/AM AM
/LW LW
/MW MW
TEL Telephone
/I ISDN
MC MC (normal cassette)
/4 4.75 cm/s (normal speed for a two sided cassette)
/9 9.5 cm/s
/I Type I cassette (ferric/normal)
/II Type II cassette (chrome)
/III Type III cassette (ferric chrome)
/IV Type IV cassette (metal)
REE Reel
/9 9.5 cm/s
/19 19 cm/s
/38 38 cm/s
/76 76 cm/s
/I Type I cassette (ferric/normal)
/II Type II cassette (chrome)
/III Type III cassette (ferric chrome)
/IV Type IV cassette (metal)
TOAL
The 'Original album/movie/show title' frame is intended for the title
of the original recording (or source of sound), if for example the
music in the file should be a cover of a previously released song.
TOFN
The 'Original filename' frame contains the preferred filename for the
file, since some media doesn't allow the desired length of the
filename. The filename is case sensitive and includes its suffix.
TOLY
The 'Original lyricist(s)/text writer(s)' frame is intended for the
text writer(s) of the original recording, if for example the music in
the file should be a cover of a previously released song. The text
writers are seperated with the "/" character.
TOPE
The 'Original artist(s)/performer(s)' frame is intended for the
performer(s) of the original recording, if for example the music in
the file should be a cover of a previously released song. The
performers are seperated with the "/" character.
TORY
The 'Original release year' frame is intended for the year when the
original recording, if for example the music in the file should be a
cover of a previously released song, was released. The field is
formatted as in the "TYER" frame.
TOWN
The 'File owner/licensee' frame contains the name of the owner or
licensee of the file and it's contents.
TPE1
The 'Lead artist(s)/Lead performer(s)/Soloist(s)/Performing group' is
used for the main artist(s). They are seperated with the "/"
character.
TPE2
The 'Band/Orchestra/Accompaniment' frame is used for additional
information about the performers in the recording.
TPE3
The 'Conductor' frame is used for the name of the conductor.
TPE4
The 'Interpreted, remixed, or otherwise modified by' frame contains
more information about the people behind a remix and similar
interpretations of another existing piece.
TPOS
The 'Part of a set' frame is a numeric string that describes which
part of a set the audio came from. This frame is used if the source
described in the "TALB" frame is divided into several mediums, e.g. a
double CD. The value may be extended with a "/" character and a
numeric string containing the total number of parts in the set. E.g.
"1/2".
TPUB
The 'Publisher' frame simply contains the name of the label or
publisher.
TRCK
The 'Track number/Position in set' frame is a numeric string
containing the order number of the audio-file on its original
recording. This may be extended with a "/" character and a numeric
string containing the total numer of tracks/elements on the original
recording. E.g. "4/9".
TRDA
The 'Recording dates' frame is a intended to be used as complement to
the "TYER", "TDAT" and "TIME" frames. E.g. "4th-7th June, 12th June"
in combination with the "TYER" frame.
TRSN
The 'Internet radio station name' frame contains the name of the
internet radio station from which the audio is streamed.
TRSO
The 'Internet radio station owner' frame contains the name of the
owner of the internet radio station from which the audio is
streamed.
TSIZ
The 'Size' frame contains the size of the audiofile in bytes,
excluding the ID3v2 tag, represented as a numeric string.
TSRC
The 'ISRC' frame should contain the International Standard Recording
Code [ISRC] (12 characters).
TSSE
The 'Software/Hardware and settings used for encoding' frame
includes the used audio encoder and its settings when the file was
encoded. Hardware refers to hardware encoders, not the computer on
which a program was run.
TYER
The 'Year' frame is a numeric string with a year of the recording.
This frames is always four characters long (until the year 10000).
4.2.2. User defined text information frame
This frame is intended for one-string text information concerning the
audiofile in a similar way to the other "T"-frames. The frame body
consists of a description of the string, represented as a terminated
string, followed by the actual string. There may be more than one
"TXXX" frame in each tag, but only one with the same description.
Text encoding $xx
Description $00 (00)
Value
4.3. URL link frames
With these frames dynamic data such as webpages with touring
information, price information or plain ordinary news can be added to
the tag. There may only be one URL [URL] link frame of its kind in an
tag, except when stated otherwise in the frame description. If the
textstring is followed by a termination ($00 (00)) all the following
information should be ignored and not be displayed. All URL link
frame identifiers begins with "W". Only URL link frame identifiers
begins with "W". All URL link frames have the following format:
URL
4.3.1. URL link frames - details
WCOM
The 'Commercial information' frame is a URL pointing at a webpage
with information such as where the album can be bought. There may be
more than one "WCOM" frame in a tag, but not with the same content.
WCOP
The 'Copyright/Legal information' frame is a URL pointing at a
webpage where the terms of use and ownership of the file is
described.
WOAF
The 'Official audio file webpage' frame is a URL pointing at a file
specific webpage.
WOAR
The 'Official artist/performer webpage' frame is a URL pointing at
the artists official webpage. There may be more than one "WOAR" frame
in a tag if the audio contains more than one performer, but not with
the same content.
WOAS
The 'Official audio source webpage' frame is a URL pointing at the
official webpage for the source of the audio file, e.g. a movie.
WORS
The 'Official internet radio station homepage' contains a URL
pointing at the homepage of the internet radio station.
WPAY
The 'Payment' frame is a URL pointing at a webpage that will handle
the process of paying for this file.
WPUB
The 'Publishers official webpage' frame is a URL pointing at the
official wepage for the publisher.
4.3.2. User defined URL link frame
This frame is intended for URL [URL] links concerning the audiofile
in a similar way to the other "W"-frames. The frame body consists
of a description of the string, represented as a terminated string,
followed by the actual URL. The URL is always encoded with ISO-8859-1
[ISO-8859-1]. There may be more than one "WXXX" frame in each tag,
but only one with the same description.
Text encoding $xx
Description $00 (00)
URL
4.4. Involved people list
Since there might be a lot of people contributing to an audio file in
various ways, such as musicians and technicians, the 'Text
information frames' are often insufficient to list everyone involved
in a project. The 'Involved people list' is a frame containing the
names of those involved, and how they were involved. The body simply
contains a terminated string with the involvement directly followed
by a terminated string with the involvee followed by a new
involvement and so on. There may only be one "IPLS" frame in each
tag.
Text encoding $xx
People list strings
4.5. Music CD identifier
This frame is intended for music that comes from a CD, so that the CD
can be identified in databases such as the CDDB [CDDB]. The frame
consists of a binary dump of the Table Of Contents, TOC, from the CD,
which is a header of 4 bytes and then 8 bytes/track on the CD plus 8
bytes for the 'lead out' making a maximum of 804 bytes. The offset to
the beginning of every track on the CD should be described with a
four bytes absolute CD-frame address per track, and not with absolute
time. This frame requires a present and valid "TRCK" frame, even if
the CD's only got one track. There may only be one "MCDI" frame in
each tag.
CD TOC
4.6. Event timing codes
This frame allows synchronisation with key events in a song or sound.
The header is:
Time stamp format $xx
Where time stamp format is:
$01 Absolute time, 32 bit sized, using MPEG [MPEG] frames as unit
$02 Absolute time, 32 bit sized, using milliseconds as unit
Abolute time means that every stamp contains the time from the
beginning of the file.
Followed by a list of key events in the following format:
Type of event $xx
Time stamp $xx (xx ...)
The 'Time stamp' is set to zero if directly at the beginning of the
sound or after the previous event. All events should be sorted in
chronological order. The type of event is as follows:
$00 padding (has no meaning)
$01 end of initial silence
$02 intro start
$03 mainpart start
$04 outro start
$05 outro end
$06 verse start
$07 refrain start
$08 interlude start
$09 theme start
$0A variation start
$0B key change
$0C time change
$0D momentary unwanted noise (Snap, Crackle & Pop)
$0E sustained noise
$0F sustained noise end
$10 intro end
$11 mainpart end
$12 verse end
$13 refrain end
$14 theme end
$15-$DF reserved for future use
$E0-$EF not predefined sync 0-F
$F0-$FC reserved for future use
$FD audio end (start of silence)
$FE audio file ends
$FF one more byte of events follows (all the following bytes with
the value $FF have the same function)
Terminating the start events such as "intro start" is not required.
The 'Not predefined sync's ($E0-EF) are for user events. You might
want to synchronise your music to something, like setting of an
explosion on-stage, turning on your screensaver etc.
There may only be one "ETCO" frame in each tag.
4.7. MPEG location lookup table
To increase performance and accuracy of jumps within a MPEG [MPEG]
audio file, frames with timecodes in different locations in the file
might be useful. The ID3v2 frame includes references that the
software can use to calculate positions in the file. After the frame
header is a descriptor of how much the 'frame counter' should
increase for every reference. If this value is two then the first
reference points out the second frame, the 2nd reference the 4th
frame, the 3rd reference the 6th frame etc. In a similar way the
'bytes between reference' and 'milliseconds between reference' points
out bytes and milliseconds respectively.
Each reference consists of two parts; a certain number of bits, as
defined in 'bits for bytes deviation', that describes the difference
between what is said in 'bytes between reference' and the reality and
a certain number of bits, as defined in 'bits for milliseconds
deviation', that describes the difference between what is said in
'milliseconds between reference' and the reality. The number of bits
in every reference, i.e. 'bits for bytes deviation'+'bits for
milliseconds deviation', must be a multiple of four. There may only
be one "MLLT" frame in each tag.
MPEG frames between reference $xx xx
Bytes between reference $xx xx xx
Milliseconds between reference $xx xx xx
Bits for bytes deviation $xx
Bits for milliseconds dev. $xx
Then for every reference the following data is included;
Deviation in bytes %xxx....
Deviation in milliseconds %xxx....
4.8. Synchronised tempo codes
For a more accurate description of the tempo of a musical piece this
frame might be used. After the header follows one byte describing
which time stamp format should be used. Then follows one or more
tempo codes. Each tempo code consists of one tempo part and one time
part. The tempo is in BPM described with one or two bytes. If the
first byte has the value $FF, one more byte follows, which is added
to the first giving a range from 2 - 510 BPM, since $00 and $01 is
reserved. $00 is used to describe a beat-free time period, which is
not the same as a music-free time period. $01 is used to indicate one
single beat-stroke followed by a beat-free period.
The tempo descriptor is followed by a time stamp. Every time the
tempo in the music changes, a tempo descriptor may indicate this for
the player. All tempo descriptors should be sorted in chronological
order. The first beat-stroke in a time-period is at the same time as
the beat description occurs. There may only be one "SYTC" frame in
each tag.
Time stamp format $xx
Tempo data
Where time stamp format is:
$01 Absolute time, 32 bit sized, using MPEG [MPEG] frames as unit
$02 Absolute time, 32 bit sized, using milliseconds as unit
Abolute time means that every stamp contains the time from the
beginning of the file.
4.9. Unsychronised lyrics/text transcription
This frame contains the lyrics of the song or a text transcription of
other vocal activities. The head includes an encoding descriptor and
a content descriptor. The body consists of the actual text. The
'Content descriptor' is a terminated string. If no descriptor is
entered, 'Content descriptor' is $00 (00) only. Newline characters
are allowed in the text. There may be more than one 'Unsynchronised
lyrics/text transcription' frame in each tag, but only one with the
same language and content descriptor.
Text encoding $xx
Language $xx xx xx
Content descriptor $00 (00)
Lyrics/text
4.10. Synchronised lyrics/text
This is another way of incorporating the words, said or sung lyrics,
in the audio file as text, this time, however, in sync with the
audio. It might also be used to describing events e.g. occurring on a
stage or on the screen in sync with the audio. The header includes a
content descriptor, represented with as terminated textstring. If no
descriptor is entered, 'Content descriptor' is $00 (00) only.
Text encoding $xx
Language $xx xx xx
Time stamp format $xx
Content type $xx
Content descriptor $00 (00)
Encoding: $00 ISO-8859-1 [ISO-8859-1] character set is used => $00
is sync identifier.
$01 Unicode [UNICODE] character set is used => $00 00 is
sync identifier.
Content type: $00 is other
$01 is lyrics
$02 is text transcription
$03 is movement/part name (e.g. "Adagio")
$04 is events (e.g. "Don Quijote enters the stage")
$05 is chord (e.g. "Bb F Fsus")
$06 is trivia/'pop up' information
Time stamp format is:
$01 Absolute time, 32 bit sized, using MPEG [MPEG] frames as unit
$02 Absolute time, 32 bit sized, using milliseconds as unit
Abolute time means that every stamp contains the time from the
beginning of the file.
The text that follows the frame header differs from that of the
unsynchronised lyrics/text transcription in one major way. Each
syllable (or whatever size of text is considered to be convenient by
the encoder) is a null terminated string followed by a time stamp
denoting where in the sound file it belongs. Each sync thus has the
following structure:
Terminated text to be synced (typically a syllable)
Sync identifier (terminator to above string) $00 (00)
Time stamp $xx (xx ...)
The 'time stamp' is set to zero or the whole sync is omitted if
located directly at the beginning of the sound. All time stamps
should be sorted in chronological order. The sync can be considered
as a validator of the subsequent string.
Newline ($0A) characters are allowed in all "SYLT" frames and should
be used after every entry (name, event etc.) in a frame with the
content type $03 - $04.
A few considerations regarding whitespace characters: Whitespace
separating words should mark the beginning of a new word, thus
occurring in front of the first syllable of a new word. This is also
valid for new line characters. A syllable followed by a comma should
not be broken apart with a sync (both the syllable and the comma
should be before the sync).
An example: The "USLT" passage
"Strangers in the night" $0A "Exchanging glances"
would be "SYLT" encoded as:
"Strang" $00 xx xx "ers" $00 xx xx " in" $00 xx xx " the" $00 xx xx
" night" $00 xx xx 0A "Ex" $00 xx xx "chang" $00 xx xx "ing" $00 xx
xx "glan" $00 xx xx "ces" $00 xx xx
There may be more than one "SYLT" frame in each tag, but only one
with the same language and content descriptor.
4.11. Comments
This frame is indended for any kind of full text information that
does not fit in any other frame. It consists of a frame header
followed by encoding, language and content descriptors and is ended
with the actual comment as a text string. Newline characters are
allowed in the comment text string. There may be more than one
comment frame in each tag, but only one with the same language and
content descriptor.
Text encoding $xx
Language $xx xx xx
Short content descrip. $00 (00)
The actual text
4.12. Relative volume adjustment
This is a more subjective function than the previous ones. It allows
the user to say how much he wants to increase/decrease the volume on
each channel while the file is played. The purpose is to be able to
align all files to a reference volume, so that you don't have to
change the volume constantly. This frame may also be used to balance
adjust the audio. If the volume peak levels are known then this could
be described with the 'Peak volume right' and 'Peak volume left'
field. If Peakvolume is not known these fields could be left zeroed
or, if no other data follows, be completely omitted. There may only
be one "RVAD" frame in each tag.
Increment/decrement %00xxxxxx
Bits used for volume descr. $xx
Relative volume change, right $xx xx (xx ...)
Relative volume change, left $xx xx (xx ...)
Peak volume right $xx xx (xx ...)
Peak volume left $xx xx (xx ...)
In the increment/decrement field bit 0 is used to indicate the right
channel and bit 1 is used to indicate the left channel. 1 is
increment and 0 is decrement.
The 'bits used for volume description' field is normally $10 (16
bits) for MPEG 2 layer I, II and III [MPEG] and MPEG 2.5. This value
may not be $00. The volume is always represented with whole bytes,
padded in the beginning (highest bits) when 'bits used for volume
description' is not a multiple of eight.
This datablock is then optionally followed by a volume definition for
the left and right back channels. If this information is appended to
the frame the first two channels will be treated as front channels.
In the increment/decrement field bit 2 is used to indicate the right
back channel and bit 3 for the left back channel.
Relative volume change, right back $xx xx (xx ...)
Relative volume change, left back $xx xx (xx ...)
Peak volume right back $xx xx (xx ...)
Peak volume left back $xx xx (xx ...)
If the center channel adjustment is present the following is appended
to the existing frame, after the left and right back channels. The
center channel is represented by bit 4 in the increase/decrease
field.
Relative volume change, center $xx xx (xx ...)
Peak volume center $xx xx (xx ...)
If the bass channel adjustment is present the following is appended
to the existing frame, after the center channel. The bass channel is
represented by bit 5 in the increase/decrease field.
Relative volume change, bass $xx xx (xx ...)
Peak volume bass $xx xx (xx ...)
4.13. Equalisation
This is another subjective, alignment frame. It allows the user to
predefine an equalisation curve within the audio file. There may only
be one "EQUA" frame in each tag.
Adjustment bits $xx
The 'adjustment bits' field defines the number of bits used for
representation of the adjustment. This is normally $10 (16 bits) for
MPEG 2 layer I, II and III [MPEG] and MPEG 2.5. This value may not be
$00.
This is followed by 2 bytes + ('adjustment bits' rounded up to the
nearest byte) for every equalisation band in the following format,
giving a frequency range of 0 - 32767Hz:
Increment/decrement %x (MSB of the Frequency)
Frequency (lower 15 bits)
Adjustment $xx (xx ...)
The increment/decrement bit is 1 for increment and 0 for decrement.
The equalisation bands should be ordered increasingly with reference
to frequency. All frequencies don't have to be declared. The
equalisation curve in the reading software should be interpolated
between the values in this frame. Three equal adjustments for three
subsequent frequencies. A frequency should only be described once in
the frame.
4.14. Reverb
Yet another subjective one. You may here adjust echoes of different
kinds. Reverb left/right is the delay between every bounce in ms.
Reverb bounces left/right is the number of bounces that should be
made. $FF equals an infinite number of bounces. Feedback is the
amount of volume that should be returned to the next echo bounce. $00
is 0%, $FF is 100%. If this value were $7F, there would be 50% volume
reduction on the first bounce, 50% of that on the second and so on.
Left to left means the sound from the left bounce to be played in the
left speaker, while left to right means sound from the left bounce to
be played in the right speaker.
'Premix left to right' is the amount of left sound to be mixed in the
right before any reverb is applied, where $00 id 0% and $FF is 100%.
'Premix right to left' does the same thing, but right to left.
Setting both premix to $FF would result in a mono output (if the
reverb is applied symmetric). There may only be one "RVRB" frame in
each tag.
Reverb left (ms) $xx xx
Reverb right (ms) $xx xx
Reverb bounces, left $xx
Reverb bounces, right $xx
Reverb feedback, left to left $xx
Reverb feedback, left to right $xx
Reverb feedback, right to right $xx
Reverb feedback, right to left $xx
Premix left to right $xx
Premix right to left $xx
4.15. Attached picture
This frame contains a picture directly related to the audio file.
Image format is the MIME type and subtype [MIME] for the image. In
the event that the MIME media type name is omitted, "image/" will be
implied. The "image/png" [PNG] or "image/jpeg" [JFIF] picture format
should be used when interoperability is wanted. Description is a
short description of the picture, represented as a terminated
textstring. The description has a maximum length of 64 characters,
but may be empty. There may be several pictures attached to one file,
each in their individual "APIC" frame, but only one with the same
content descriptor. There may only be one picture with the picture
type declared as picture type $01 and $02 respectively. There is the
possibility to put only a link to the image file by using the 'MIME
type' "-->" and having a complete URL [URL] instead of picture data.
The use of linked files should however be used sparingly since there
is the risk of separation of files.
Text encoding $xx
MIME type $00
Picture type $xx
Description $00 (00)
Picture data
Picture type: $00 Other
$01 32x32 pixels 'file icon' (PNG only)
$02 Other file icon
$03 Cover (front)
$04 Cover (back)
$05 Leaflet page
$06 Media (e.g. lable side of CD)
$07 Lead artist/lead performer/soloist
$08 Artist/performer
$09 Conductor
$0A Band/Orchestra
$0B Composer
$0C Lyricist/text writer
$0D Recording Location
$0E During recording
$0F During performance
$10 Movie/video screen capture
$11 A bright coloured fish
$12 Illustration
$13 Band/artist logotype
$14 Publisher/Studio logotype
4.16. General encapsulated object
In this frame any type of file can be encapsulated. After the header,
'Frame size' and 'Encoding' follows 'MIME type' [MIME] represented as
as a terminated string encoded with ISO 8859-1 [ISO-8859-1]. The
filename is case sensitive and is encoded as 'Encoding'. Then follows
a content description as terminated string, encoded as 'Encoding'.
The last thing in the frame is the actual object. The first two
strings may be omitted, leaving only their terminations. MIME type is
always an ISO-8859-1 text string. There may be more than one "GEOB"
frame in each tag, but only one with the same content descriptor.
Text encoding $xx
MIME type $00
Filename $00 (00)
Content description $00 (00)
Encapsulated object
4.17. Play counter
This is simply a counter of the number of times a file has been
played. The value is increased by one every time the file begins to
play. There may only be one "PCNT" frame in each tag. When the
counter reaches all one's, one byte is inserted in front of the
counter thus making the counter eight bits bigger. The counter must
be at least 32-bits long to begin with.
Counter $xx xx xx xx (xx ...)
4.18. Popularimeter
The purpose of this frame is to specify how good an audio file is.
Many interesting applications could be found to this frame such as a
playlist that features better audiofiles more often than others or it
could be used to profile a person's taste and find other 'good' files
by comparing people's profiles. The frame is very simple. It contains
the email address to the user, one rating byte and a four byte play
counter, intended to be increased with one for every time the file is
played. The email is a terminated string. The rating is 1-255 where
1 is worst and 255 is best. 0 is unknown. If no personal counter is
wanted it may be omitted. When the counter reaches all one's, one
byte is inserted in front of the counter thus making the counter
eight bits bigger in the same away as the play counter ("PCNT").
There may be more than one "POPM" frame in each tag, but only one
with the same email address.
Email to user $00
Rating $xx
Counter $xx xx xx xx (xx ...)
4.19. Recommended buffer size
Sometimes the server from which a audio file is streamed is aware of
transmission or coding problems resulting in interruptions in the
audio stream. In these cases, the size of the buffer can be
recommended by the server using this frame. If the 'embedded info
flag' is true (1) then this indicates that an ID3 tag with the
maximum size described in 'Buffer size' may occur in the audiostream.
In such case the tag should reside between two MPEG [MPEG] frames, if
the audio is MPEG encoded. If the position of the next tag is known,
'offset to next tag' may be used. The offset is calculated from the
end of tag in which this frame resides to the first byte of the
header in the next. This field may be omitted. Embedded tags are
generally not recommended since this could render unpredictable
behaviour from present software/hardware.
For applications like streaming audio it might be an idea to embed
tags into the audio stream though. If the clients connects to
individual connections like HTTP and there is a possibility to begin
every transmission with a tag, then this tag should include a
'recommended buffer size' frame. If the client is connected to a
arbitrary point in the stream, such as radio or multicast, then the
'recommended buffer size' frame should be included in every tag.
Every tag that is picked up after the initial/first tag is to be
considered as an update of the previous one. E.g. if there is a
"TIT2" frame in the first received tag and one in the second tag,
then the first should be 'replaced' with the second.
The 'Buffer size' should be kept to a minimum. There may only be one
"RBUF" frame in each tag.
Buffer size $xx xx xx
Embedded info flag %0000000x
Offset to next tag $xx xx xx xx
4.20. Audio encryption
This frame indicates if the actual audio stream is encrypted, and by
whom. Since standardisation of such encrypion scheme is beyond this
document, all "AENC" frames begin with a terminated string with a
URL containing an email address, or a link to a location where an
email address can be found, that belongs to the organisation
responsible for this specific encrypted audio file. Questions
regarding the encrypted audio should be sent to the email address
specified. If a $00 is found directly after the 'Frame size' and the
audiofile indeed is encrypted, the whole file may be considered
useless.
After the 'Owner identifier', a pointer to an unencrypted part of the
audio can be specified. The 'Preview start' and 'Preview length' is
described in frames. If no part is unencrypted, these fields should
be left zeroed. After the 'preview length' field follows optionally a
datablock required for decryption of the audio. There may be more
than one "AENC" frames in a tag, but only one with the same 'Owner
identifier'.
Owner identifier $00
Preview start $xx xx
Preview length $xx xx
Encryption info
4.21. Linked information
To keep space waste as low as possible this frame may be used to link
information from another ID3v2 tag that might reside in another audio
file or alone in a binary file. It is recommended that this method is
only used when the files are stored on a CD-ROM or other
circumstances when the risk of file seperation is low. The frame
contains a frame identifier, which is the frame that should be linked
into this tag, a URL [URL] field, where a reference to the file where
the frame is given, and additional ID data, if needed. Data should be
retrieved from the first tag found in the file to which this link
points. There may be more than one "LINK" frame in a tag, but only
one with the same contents. A linked frame is to be considered as
part of the tag and has the same restrictions as if it was a physical
part of the tag (i.e. only one "RVRB" frame allowed, whether it's
linked or not).
Frame identifier $xx xx xx
URL $00
ID and additional data
Frames that may be linked and need no additional data are "IPLS",
"MCID", "ETCO", "MLLT", "SYTC", "RVAD", "EQUA", "RVRB", "RBUF", the
text information frames and the URL link frames.
The "TXXX", "APIC", "GEOB" and "AENC" frames may be linked with
the content descriptor as additional ID data.
The "COMM", "SYLT" and "USLT" frames may be linked with three bytes
of language descriptor directly followed by a content descriptor as
additional ID data.
4.22. Position synchronisation frame
This frame delivers information to the listener of how far into the
audio stream he picked up; in effect, it states the time offset of
the first frame in the stream. The frame layout is:
Time stamp format $xx
Position $xx (xx ...)
Where time stamp format is:
$01 Absolute time, 32 bit sized, using MPEG frames as unit
$02 Absolute time, 32 bit sized, using milliseconds as unit
and position is where in the audio the listener starts to receive,
i.e. the beginning of the next frame. If this frame is used in the
beginning of a file the value is always 0. There may only be one
"POSS" frame in each tag.
4.23. Terms of use frame
This frame contains a brief description of the terms of use and
ownership of the file. More detailed information concerning the legal
terms might be available through the "WCOP" frame. Newlines are
allowed in the text. There may only be one "USER" frame in a tag.
Text encoding $xx
Language $xx xx xx
The actual text
4.24. Ownership frame
The ownership frame might be used as a reminder of a made transaction
or, if signed, as proof. Note that the "USER" and "TOWN" frames are
good to use in conjunction with this one. The frame begins, after the
frame ID, size and encoding fields, with a 'price payed' field. The
first three characters of this field contains the currency used for
the transaction, encoded according to ISO 4217 [ISO-4217] alphabetic
currency code. Concatenated to this is the actual price payed, as a
numerical string using "." as the decimal separator. Next is an 8
character date string (YYYYMMDD) followed by a string with the name
of the seller as the last field in the frame. There may only be one
"OWNE" frame in a tag.
Text encoding $xx
Price payed $00
Date of purch.
Seller
4.25. Commercial frame
This frame enables several competing offers in the same tag by
bundling all needed information. That makes this frame rather complex
but it's an easier solution than if one tries to achieve the same
result with several frames. The frame begins, after the frame ID,
size and encoding fields, with a price string field. A price is
constructed by one three character currency code, encoded according
to ISO 4217 [ISO-4217] alphabetic currency code, followed by a
numerical value where "." is used as decimal seperator. In the price
string several prices may be concatenated, seperated by a "/"
character, but there may only be one currency of each type.
The price string is followed by an 8 character date string in the
format YYYYMMDD, describing for how long the price is valid. After
that is a contact URL, with which the user can contact the seller,
followed by a one byte 'received as' field. It describes how the
audio is delivered when bought according to the following list:
$00 Other
$01 Standard CD album with other songs
$02 Compressed audio on CD
$03 File over the Internet
$04 Stream over the Internet
$05 As note sheets
$06 As note sheets in a book with other sheets
$07 Music on other media
$08 Non-musical merchandise
Next follows a terminated string with the name of the seller followed
by a terminated string with a short description of the product. The
last thing is the ability to include a company logotype. The first of
them is the 'Picture MIME type' field containing information about
which picture format is used. In the event that the MIME media type
name is omitted, "image/" will be implied. Currently only "image/png"
and "image/jpeg" are allowed. This format string is followed by the
binary picture data. This two last fields may be omitted if no
picture is to attach.
Text encoding $xx
Price string $00
Valid until
Contact URL $00
Received as $xx
Name of seller $00 (00)
Description $00 (00)
Picture MIME type $00
Seller logo
4.26. Encryption method registration
To identify with which method a frame has been encrypted the
encryption method must be registered in the tag with this frame. The
'Owner identifier' is a null-terminated string with a URL [URL]
containing an email address, or a link to a location where an email
address can be found, that belongs to the organisation responsible
for this specific encryption method. Questions regarding the
encryption method should be sent to the indicated email address. The
'Method symbol' contains a value that is associated with this method
throughout the whole tag. Values below $80 are reserved. The 'Method
symbol' may optionally be followed by encryption specific data. There
may be several "ENCR" frames in a tag but only one containing the
same symbol and only one containing the same owner identifier. The
method must be used somewhere in the tag. See section 3.3.1, flag j
for more information.
Owner identifier $00
Method symbol $xx
Encryption data
4.27. Group identification registration
This frame enables grouping of otherwise unrelated frames. This can
be used when some frames are to be signed. To identify which frames
belongs to a set of frames a group identifier must be registered in
the tag with this frame. The 'Owner identifier' is a null-terminated
string with a URL [URL] containing an email address, or a link to a
location where an email address can be found, that belongs to the
organisation responsible for this grouping. Questions regarding the
grouping should be sent to the indicated email address. The 'Group
symbol' contains a value that associates the frame with this group
throughout the whole tag. Values below $80 are reserved. The 'Group
symbol' may optionally be followed by some group specific data, e.g.
a digital signature. There may be several "GRID" frames in a tag but
only one containing the same symbol and only one containing the same
owner identifier. The group symbol must be used somewhere in the tag.
See section 3.3.1, flag j for more information.
Owner identifier $00
Group symbol $xx
Group dependent data
4.28. Private frame
This frame is used to contain information from a software producer
that its program uses and does not fit into the other frames. The
frame consists of an 'Owner identifier' string and the binary data.
The 'Owner identifier' is a null-terminated string with a URL [URL]
containing an email address, or a link to a location where an email
address can be found, that belongs to the organisation responsible
for the frame. Questions regarding the frame should be sent to the
indicated email address. The tag may contain more than one "PRIV"
frame but only with different contents. It is recommended to keep the
number of "PRIV" frames as low as possible.
Owner identifier $00
The private data
5. The 'unsynchronisation scheme'
The only purpose of the 'unsynchronisation scheme' is to make the
ID3v2 tag as compatible as possible with existing software. There is
no use in 'unsynchronising' tags if the file is only to be processed
by new software. Unsynchronisation may only be made with MPEG 2 layer
I, II and III and MPEG 2.5 files.
Whenever a false synchronisation is found within the tag, one zeroed
byte is inserted after the first false synchronisation byte. The
format of a correct sync that should be altered by ID3 encoders is as
follows:
%11111111 111xxxxx
And should be replaced with:
%11111111 00000000 111xxxxx
This has the side effect that all $FF 00 combinations have to be
altered, so they won't be affected by the decoding process. Therefore
all the $FF 00 combinations have to be replaced with the $FF 00 00
combination during the unsynchronisation.
To indicate usage of the unsynchronisation, the first bit in 'ID3
flags' should be set. This bit should only be set if the tag
contains a, now corrected, false synchronisation. The bit should
only be clear if the tag does not contain any false synchronisations.
Do bear in mind, that if a compression scheme is used by the encoder,
the unsynchronisation scheme should be applied *afterwards*. When
decoding a compressed, 'unsynchronised' file, the 'unsynchronisation
scheme' should be parsed first, decompression afterwards.
If the last byte in the tag is $FF, and there is a need to eliminate
false synchronisations in the tag, at least one byte of padding
should be added.
6. Copyright
Copyright (C) Martin Nilsson 1998. All Rights Reserved.
This document and translations of it may be copied and furnished to
others, and derivative works that comment on or otherwise explain it
or assist in its implementation may be prepared, copied, published
and distributed, in whole or in part, without restriction of any
kind, provided that a reference to this document is included on all
such copies and derivative works. However, this document itself may
not be modified in any way and reissued as the original document.
The limited permissions granted above are perpetual and will not be
revoked.
This document and the information contained herein is provided on an
"AS IS" basis and THE AUTHORS DISCLAIMS ALL WARRANTIES, EXPRESS OR
IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTY THAT THE USE OF
THE INFORMATION HEREIN WILL NOT INFRINGE ANY RIGHTS OR ANY IMPLIED
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
7. References
[CDDB] Compact Disc Data Base
[ID3v2] Martin Nilsson, "ID3v2 informal standard".
[ISO-639-2] ISO/FDIS 639-2.
Codes for the representation of names of languages, Part 2: Alpha-3
code. Technical committee / subcommittee: TC 37 / SC 2
[ISO-4217] ISO 4217:1995.
Codes for the representation of currencies and funds.
Technical committee / subcommittee: TC 68
[ISO-8859-1] ISO/IEC DIS 8859-1.
8-bit single-byte coded graphic character sets, Part 1: Latin
alphabet No. 1. Technical committee / subcommittee: JTC 1 / SC 2
[ISRC] ISO 3901:1986
International Standard Recording Code (ISRC).
Technical committee / subcommittee: TC 46 / SC 9
[JFIF] JPEG File Interchange Format, version 1.02
[MIME] Freed, N. and N. Borenstein, "Multipurpose Internet Mail
Extensions (MIME) Part One: Format of Internet Message Bodies",
RFC 2045, November 1996.
[MPEG] ISO/IEC 11172-3:1993.
Coding of moving pictures and associated audio for digital storage
media at up to about 1,5 Mbit/s, Part 3: Audio.
Technical committee / subcommittee: JTC 1 / SC 29
and
ISO/IEC 13818-3:1995
Generic coding of moving pictures and associated audio information,
Part 3: Audio.
Technical committee / subcommittee: JTC 1 / SC 29
and
ISO/IEC DIS 13818-3
Generic coding of moving pictures and associated audio information,
Part 3: Audio (Revision of ISO/IEC 13818-3:1995)
[PNG] Portable Network Graphics, version 1.0
[UNICODE] ISO/IEC 10646-1:1993.
Universal Multiple-Octet Coded Character Set (UCS), Part 1:
Architecture and Basic Multilingual Plane.
Technical committee / subcommittee: JTC 1 / SC 2
[URL] T. Berners-Lee, L. Masinter & M. McCahill, "Uniform Resource
Locators (URL).", RFC 1738, December 1994.
[ZLIB] P. Deutsch, Aladdin Enterprises & J-L. Gailly, "ZLIB
Compressed
Data Format Specification version 3.3", RFC 1950, May 1996.
8. Appendix
A. Appendix A - Genre List from ID3v1
The following genres is defined in ID3v1
0.Blues
1.Classic Rock
2.Country
3.Dance
4.Disco
5.Funk
6.Grunge
7.Hip-Hop
8.Jazz
9.Metal
10.New Age
11.Oldies
12.Other
13.Pop
14.R&B
15.Rap
16.Reggae
17.Rock
18.Techno
19.Industrial
20.Alternative
21.Ska
22.Death Metal
23.Pranks
24.Soundtrack
25.Euro-Techno
26.Ambient
27.Trip-Hop
28.Vocal
29.Jazz+Funk
30.Fusion
31.Trance
32.Classical
33.Instrumental
34.Acid
35.House
36.Game
37.Sound Clip
38.Gospel
39.Noise
40.AlternRock
41.Bass
42.Soul
43.Punk
44.Space
45.Meditative
46.Instrumental Pop
47.Instrumental Rock
48.Ethnic
49.Gothic
50.Darkwave
51.Techno-Industrial
52.Electronic
53.Pop-Folk
54.Eurodance
55.Dream
56.Southern Rock
57.Comedy
58.Cult
59.Gangsta
60.Top 40
61.Christian Rap
62.Pop/Funk
63.Jungle
64.Native American
65.Cabaret
66.New Wave
67.Psychadelic
68.Rave
69.Showtunes
70.Trailer
71.Lo-Fi
72.Tribal
73.Acid Punk
74.Acid Jazz
75.Polka
76.Retro
77.Musical
78.Rock & Roll
79.Hard Rock
The following genres are Winamp extensions
80.Folk
81.Folk-Rock
82.National Folk
83.Swing
84.Fast Fusion
85.Bebob
86.Latin
87.Revival
88.Celtic
89.Bluegrass
90.Avantgarde
91.Gothic Rock
92.Progressive Rock
93.Psychedelic Rock
94.Symphonic Rock
95.Slow Rock
96.Big Band
97.Chorus
98.Easy Listening
99.Acoustic
100.Humour
101.Speech
102.Chanson
103.Opera
104.Chamber Music
105.Sonata
106.Symphony
107.Booty Bass
108.Primus
109.Porn Groove
110.Satire
111.Slow Jam
112.Club
113.Tango
114.Samba
115.Folklore
116.Ballad
117.Power Ballad
118.Rhythmic Soul
119.Freestyle
120.Duet
121.Punk Rock
122.Drum Solo
123.Acapella
124.Euro-House
125.Dance Hall
9. Author's Address
Written by
Martin Nilsson
Rydsvägen 246 C. 30
S-584 34 Linköping
Sweden
Email: nilsson@id3.org
Edited by
Dirk Mahoney
57 Pechey Street
Chermside Q
Australia 4032
Email: dirk@id3.org
Johan Sundström
Alsättersgatan 5 A. 34
S-584 35 Linköping
Sweden
Email: johan@id3.org